En af de ting jeg synes ofte er fraværende i budgetmodeller er gruppering af konti efter formål eller værdier.

Den model vi afrapporterer til Statens Kunstfond er helt fjollet, fordi ting er delt op i grupper som giver et meget forsimplet billede af vores aktiviteter. Den slags modeller fungerer mest som at man kan se det løber rundt. Det er meget sjældent "tal for indholdets skyld", hvilket gør at økonomistyring stort set aldrig handler om hvordan vi lykkes med vores formål.

Jeg kører f.eks. altid med det jeg kalder et skyggebudget, andre kalder det nok for "estimeret resultat" eller "forventet budget".

Det giver 0 mening kun at kigge på hvor man, for et år siden, troede man ville være i dag. Man er også nødt til at kigge på, hvor man forventer at lande - og gerne, hvis man har overskud til det - hvor man landede de foregående 3 år, så man kan opdage nye (utilsigtede) mønstre.

Når jeg siger "automatiserer", så mener jeg ikke AI. Det er slet ikke ønskværdigt til sådan noget her. Jeg vil bare have et regneark med et væld af kolonner, der gør det nemt for at sammenligne tal på tværs af regnskabsår og konti.

Og som samtidig ved simpel "celle 1 + celle 2" matematik, gør vores økonomi til håndtérbare grupper vi så kan tale om.

Jeg har altid syntes regnskabsprogrammernes budgetfunktioner er komplet uduelige til budgetopfølgning eller økonomistyring.

Har i dag bestået disciplinen "fremlæggelse af budgetopfølgning for bestyrelsen" tilsyneladende med bravour.

Da jeg startede ved Ensemblet startede jeg med at lave et helt nyt budgetregneark til os, der dels kunne bruges til budgetlægning (selvfølgelig), men som også gjorde budgetopfølgning nemmere. Helt enkelt så har vi et "master-ark" der følger vores kontoplan 1-1, og så har jeg lavet en række underark, der automatiserer at omsætte kontoplanen til overskuelige tabeller.

If you are curious of jumping down the "Old firewire audio interfaces on Linux"-rabbit hole like me. This is the repository for you: https://github.com/takaswie/linux-firewire-dkms

#LinuxAudio #Linux #ReUseOldEquiptment #Sustainability #MusicProduction

Unge Pædagoger har udgivet et nummer om overvågningskapitalisme, som jeg har været med til at redigere sammen med Morten, David Hansen, Rasmus Lorentzen og @jeppe

https://u-p.dk/vare/2026-nr-3/
#skolechat

RE: https://mstdn.social/@linuxaudiodevelopment/117465154878818346

“I am not only a Core Contributor to Mixxx, but also a regular user! I DJ professionally (editor's note: DJ Huxley(fur)) every month or so in nightclubs and conventions with my own customized build of Mixxx. I have never had a crash during a performance in over 15 years of playing out, proving that Open Source can share the stage with the pro options.”

RE: https://mstdn.social/@linuxaudiodevelopment/117462421049708525

“I believe developers need to create the world they want to live in. That's how I see shipping to Linux or supporting CLAP. It's a no-brainer for me. It's a responsibility of sorts. Doing the right thing for the ecosystem.”

#LinuxAudio #MusicProduction

#MastodonAdmin I am getting hundreds of new (fake or robot) signups daily. I am denying all of them - maybe some of them are legitimate, but it would take hours to go through them - they are writing reasons for signing up. Most of them completely irrelevant for my instance, but some of them have made an effort to provide a relevant reason.

Anyways, I think I'll need to just close for new accounts. Or is there some way I can filter the robots from the humans?

Lise Dissing Møller, Marie Falkesgaard Slot & Thorkild Hanghøj viser i en kronik, hvordan generativ kunstig intelligens kan bruges på måder, der fremme elevers læring. Det kræver didaktisk fantasi og lidt indsigt i teknologien. Men det er ikke så svært: https://www.kp.dk/nyheder/gemini-i-skoletasken/
#skolechat

Studio workspace down… eh… upgraded to old hardware.

So long Universal Audio interfaces and hello 20 year old ProjectMix running HUI controlsurface script as a Bitwig Extension.

The Akai Force works as an audio interface in ComputerMode.

The ProjectMix can be used with all routing and internal mixer controls through the FFADO mixer, but it’s easier with the Force when I don’t need several inputs or outboard gear.

@mjj skriver på Element
"Lone Simonsen skriver:

**Frederikssunds Linux / bigtech væk væk-cafearrangement den 14. november kl 16-19**

Alle er meget velkomne. Vi er i Bibliotekets 'Kulturarkiv' i gadeplan. Gode p pladser i Servicegade bag biblioteket. Og kun 2 minutters gang fra s-toget.

For mere info. Se linket her: https://www.bibliotekerne.frederikssund.dk/frederikssund-lokalhistoriske-arkiver/arrangementer/kultur-og-debat/bliv-klogere-pa-it-2"

RE: https://uddannelse.social/@mosgaard/117450654865283152

And by the way:

@Gnome > MacOS
and
Everything Else > Microsoft 365

Any day of the week!

(Side note, if your workplace would like to try out Linux, get off Microsoft 365 first, staying makes it harder to make the switch)

This is why I'm sure the developers and communities who manage the AI storm by calm and patience, and not jumping on new and fancy, will be the one winning in the end.

These are the people for whom creating something of value AND maintaining it for years is the real deal. This is the most important for us as humans and the global society as a whole.

...Because I'm pretty sure we will see a wide range of apps being vibe coded, because they are missing (for some) and because it's pretty easy to make.

But when the apps are created, it's not "new and fun and see what I can make"-anymore, then it becomes maintaining, and maintaining is something completely different than prompting a wish box. Maintaining is dealing with real people and their (unrealistic) expectations. You need values and goals for the app, something to help you steer.

...Which I totally get.

But responding with "Don't do that, we have these great alternatives" is not taking the problem serious. It's not that the existing apps are bad (well some are, and unmaintained too), it's because different people have different needs.

What we should focus on, is making developers and vendors create their apps for all platforms. Have them acknowledge Linux as a platform to support, so we don't end up with 105.034 vibe-coded mail-apps no one will maintain...

the apps. This is people who have spend countless of hours making apps they love themselves, and that is why they have a lot of users. This is nice!

But when people switch to Linux they are told "These are the apps to use", they will experience apps that's popular and widespread, but still doesn't live up to the expectations people might have for that specific tool.

I'm convinced this is why we see tons of vibe-coded alternatives now: It's made by people not satisfied with the selection...

I believe this is something that needs to be acknowledged in #Linux communities: Some of the "Linux greatest" you are recommended when switching to Linux as alternatives, are very rarely comparable and usable as replacements for whatever people come from.

Let's take mail client as an example: Thunderbird, Geary or Evolution are great working apps for many. But if you come from Mac OS' mail app, it feels like stepping into an outdated mail system. This is not a critique of the people who make...

Det digitale dilemma - din yndlingspodcast - er ude med endnu et afsnit. Denne gang med professor ved DPU @jeppe Vi taler om overvågningskapitalisme, tek-giganternes ondskab og behovet for #teknologiforståelse
Lyt til den hvor du normalt lytter til podcast fx på Spotify (kunne ikke få Antennapod til at fungere): https://open.spotify.com/episode/6ZjXGkDZV2jTjblKk3kDSj

#skolechat

RE: https://uddannelse.social/@mosgaard/117439999690825478

Having motorized faders again, really make me miss having a more traditional* workflow:

1. Idea / Sound design
2. Composition / Production
3. Mixing

Today I do step 2 and 3 at the same time. And it will be hard to change that habit / hybrid approach.

Perhaps it’s just a matter of practice?

I’m pretty sure it eventually will mean I can be more focused on each part.

*Back in the days that to me would be:
Songwriting / Composing
Arranging / Rehearsing
Recording / Producing
Mixing