This is so good. It's the norm for every other human-influenced catastrophe and should be the norm for climate!

- Centres human choice to burn fossil fuels
- Uses images that depict the reality of heat disasters rather than imagined fun
- Doesn't bury either down in the 15th paragraph

https://www.nytimes.com/2026/07/03/climate/heat-wave-us-canada-climate-change.html?smtyp=cur

You gather your most expensive people into a room to make your most important decisions. Then, somewhere in the second hour, the room quietly gets worse at making them. Not the people. The room.

I now travel with a portable CO2 monitor. Outdoors it reads around 400 parts per million. In a closed meeting room with a handful of people in it, I have watched it climb past 2,000. The photo here is a real reading: 2,143.

That number matters more than it looks. Researchers at Lawrence Berkeley National Laboratory put people in a chamber and varied only the CO2. At 1,000 ppm, performance dropped significantly on six of nine decision-making measures compared with a clean-air baseline of 600. At 2,500 ppm, seven of the nine fell substantially, some into a range they called dysfunctional. A separate study out of Harvard found cognitive scores declining as CO2 rose, with the steepest losses in exactly the domains you called the meeting for: strategy, planning, and using information under pressure.

Continue reading on my blog because it's too long for here. https://blog.mikebowler.ca/2026/07/03/co2-and-decision-making/

@thejessiekirk OK, this is what I'm picturing.
@futurebird

HN discusses PeerTube, and the first reply starts with „As a professional YouTuber, the main issue I instantly see with this is the lack of monetization.“

And I immediately think: so maybe that’s the thing we should focus on. Keep that kind of monetisation out to create a place for those that don’t compete for money, but for quality. Yes, I’m that naive, but the Fediverse is an alternative to many things, not a drop-in replacement to for-profit services to me.

https://news.ycombinator.com/item?id=48759634

1/3

Ohmygod. THE CHAIR KNOWS.

And with all the justified Bandcamp criticism: Maybe also direct some of your focus to the fucking AI that's currently trying to devalue our entire art. That's the real end boss, not us.

But this constant "Fuck Bandcamp" shouting while you're simultaneously listening to our music and complaining that we haven't moved yet – that's just hypocritical bullshit. Think one step further before you post your next rant. We're on the same side, but right now you're shooting straight through your own wall.

Thanks to everyone who gets it. And to the rest: Please just shut the fuck up and listen instead of complaining. Or even better: Help actively instead of just commenting. We're fighting enough – against platforms, against algorithms, against rent, and now also against AI. We don't need your shit on top of all that.

Peace, but also a little bit of war. ✌️🔥

So, for absolute clarity:

Yes, switching to decentralized, independent alternatives is important. Long-term. I'm not against it.

No, I'm not stupid, ignorant, or a sellout just because I haven't left yet. I simply have other priorities and real hurdles, for fuck's sake.

No, I won't let people who have never been in my situation tell me how to distribute my art.

And yes, I'm afraid of AI. But I'm even more afraid of a community that leaves me hanging while I'm fighting against the wall.

If you want to boycott Bandcamp – go ahead. That's your right. But please, please stop punishing us artists for still being there. Why not just ask us what we need? Offer help instead of accusations. Support us in other ways (buy directly from us, share our links, send us Faircamp tutorials, offer to help us with deployment). That would be real activism. Not this mindless shouting.

1. And as if all that wasn't already shitty enough – here comes the cherry on top of this steaming pile: Artificial IntelligenceOh, and while we're busy fighting each other over Bandcamp and tearing each other apart, the next frontal attack is already coming from the other side. AI. Everywhere. Every day a new tool that supposedly "makes art." Text-to-image, text-to-music, voice cloning, song generators – all with one click. "Just generate yourself a song without having to play anything." "Generate your album cover, who needs an illustrator anymore?" "Clone that dead singer's voice, it's so cool!"And you know what the best part is? While we're busy accusing each other of being on the wrong platform, the tech industry is busy shitting all over our entire existence. But hey, as long as that one artist who's still on Bandcamp gets publicly cancelled while some AI corporation quietly plays with our livelihoods – all good, right?We're getting fucked from all sides right now: by the platforms that sell us out, by the AI that wants to replace us, and by our own community that gives us the rest instead of support. That's insane. We're not the enemies! We're the ones who are in this shit up to our necks! And instead of coming together, we're tearing each other apart while the AI wells are poisoning our water outside. That's not just frustrating – it's deeply sad.

1. The emotional blackmail (or: Why we don't want to choose between bread and morals)What fucks me off the most is this underlying emotional blackmail: "If you really care about independent art, you'll leave Bandcamp immediately." As if we have to choose between survival and morals. That's not a choice! We want both – we want to be independent, but we also want to be able to eat. And above all, we don't want to be torn down by the very people who claim to be on our side.You have no idea how many tears, how much blood and sweat are in those simple Bandcamp links. For me, it's not just a shop – it's my life's work, built piece by piece. And then someone comes along and says: "Delete all of that, or you're no longer relevant." That's not just ignorant – it's heartless.

1. The economic reality (or: Bandcamp isn't just hosting, it's visibility)And then there's the point that almost no one understands: Bandcamp isn't just a server where my MP3s sit. Bandcamp is a marketplace. There's visibility there, recommendation algorithms (as much as we hate them), buyers who stumble across me by chance. If I delete everything overnight and run off to my own Faircamp instance, I disappear into the void. No one finds me anymore.I've spent years building a small fanbase there. And now I'm supposed to throw all of that away because hating on Bandcamp is the current Fediverse trend? That's not just unrealistic – that's economic suicide for many of us. And let's be real: How many of you actually click on random personal Faircamp pages scattered across the internet? Exactly. No one. You use convenient platforms yourselves but expect us to do all the digital heavy lifting.

1. The false solidarity (or: When allies suddenly become judges)I always thought the Fediverse was supposed to be a place of tolerance, mutual aid, and slow, thoughtful togetherness. But what I'm experiencing right now is nothing but a loud wave of outrage against a platform where artists are the ones bearing the consequences. It's no longer about solutions – it's just about instant complaining and moral superiority.This "us vs. them" mentality is so incredibly counterproductive. Instead of coming together and asking: "Hey artist, what do you need? How can we help you make the switch?" – it's just complaining, boycotting, and finger-pointing. That's not activism, that's just comfortable outrage from people who carry zero risk themselves. How many of you have actually released an album? How many of you know the pressure of having your rent depend on it? How many of you lie awake at night wondering if your next release will even interest anyone? If you don't know that – then please, just keep your mouths shut for a second.

1. The psychological grind (or: What it feels like to be publicly shamed)Do you have any idea what it does to you when you read on your own timeline that you're a traitor just because you're still on Bandcamp? When you have to justify a platform choice you made years ago when there was no alternative?Making art is hard enough as it is. We stand in front of a blank page every day, doubting ourselves, battling imposter syndrome, fighting creative blocks. And then we open the Fediverse to get a little bit of community air – and we're immediately confronted with the fact that we're apparently part of the problem.That eats at you. It pulls the rug out from under you. It stops being fun to share your music when you feel like every link you post gets an immediate response: "Still on Bandcamp? Shame on you!"We simply don't have the mental capacity to deal with this tech-political shitshow on top of the creative process! My creative energy is finite. If I waste it defending myself against my own community, it's missing for new songs, new lyrics, new art. And in the end, we all suffer – especially you, who complain about a lack of output. Instead of building us up, you're tearing us down – and this from people who call themselves a "supportive community." The irony is almost too much to put into words.

1. The technical nightmare (or: Why "Just use Faircamp" isn't an argument)Yes, there are great alternatives. Faircamp is awesome, open source, decentralized – all great. But you know what? Faircamp isn't a "copy & paste" thing. It's not a dashboard where you quickly upload a cover and some MP3s and you're done. It's static site generation via the command line. It's YAML, config files, deployment via SSH or FTP. Go ahead and put yourself in the shoes of an artist who spends all day being creative, mixing, songwriting, painting – and who has never seen a single line of code in their life. That person opens the Faircamp documentation, sees nothing but cryptic commands, and closes the tab after five minutes – not out of laziness, but out of pure overwhelm.For many, this is a huge, insurmountable obstacle, and it has nothing to do with stupidity or ignorance. It has everything to do with the fact that we're not all in the same bubble. Just because it's easy for a few tech nerds in the Fediverse doesn't mean it's doable for the rest of the world. And no, we don't all have an "IT support friend" who can just set this up for us. Some of us don't even have the time because we're working 40-hour weeks on top of our art just to make ends meet.

I already posted this with my second account earlier, but here it is again in the full long version because this topic just won't let me go and I feel like some people here have completely lost sight of reality.

Look, let's start at the very beginning: Yes, I 100% understand that what's currently happening with Bandcamp is absolutely shit. We're talking about a platform that, for years, was the last remaining safe haven for independent music – and now it's being swallowed up piece by piece by a corporation that couldn't give less of a fuck about our art. The frustration isn't just justified, it's necessary. And I'm totally on your side with that, really.

But. (there is alway a but...)

What I've been seeing in my timeline over the last few is just ridiculous. Post after post saying you should absolutely NOT support Bandcamp anymore under ANY circumstances, that "everything there is shit anyway," that all the artists still on there are either lazy, ignorant, or sellouts. I'm reading this from people who have never released a single record or song in their lives, pointing fingers at us and telling us how to manage our livelihood.

And here comes the big, fat point everyone's forgetting:
With this blind activism, you're not punishing Bandcamp. Bandcamp already cashed the check and is sitting in their warm office. You're fucking us over. The artists. The ones who built their entire artistic existence there.

Let me break this down a bit more because I have a feeling many of you don't understand what it means to be an independent artist caught between the front lines right now.

It’s always nice to be included

Update: we found the artist! Thank you everyone!

Any illustrators looking for commission work?

Olga and I are producing a play and are looking for artwork for posters, flyers, etc. The play is about dystopian future, but we are open to various interpretations of the story for the illustrations!

(Boosts appreciated)

We’re all aware that a whole lot of people of aren’t exactly feeling America’s 250th.

What’s actually *amazing* is how thoroughly you have to fuck up to make Americans look at an excuse to get drunk, eat garbage, blow stuff up, & praise ourselves & go:

you know what nah

@NanoRaptor I spent a year self employed, making wood burners out of old gas bottles. All told I managed to knock out about 12 of them before I accepted that I'm not cut out to run my own business.

Anyway, the last one was due to be delivered to a customer, but was stolen from my garden. So I posted on Reddit asking if anyone in the UK had seen it.

Reddit had fun with it.

https://old.reddit.com/r/pics/comments/5jwm88/a_darth_vader_wood_burner_i_made_got_stolen/