To achieve even a semblance of the colour management that is taken for granted in DVR, you have to use a series of kludgy, buggy, and often expensive indie plug-ins.

And there is no sense that the designers of Final Cut have ever had to integrate with other teams in a post-production environment. It really reminds me a lot of the presets that you get on digital guitar equipment—designed by guys who design presets for living, who don't feed their families by performing. (2/5)