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  • Jul 3, 2026, 9:08 AM

    @ami_angelwings Weisman talks about learning he got the job during a family vacation and immediately heading to the nearest comic store to buy a truck load of Essential Spidey trades to make copious notes for the show, and I fully believe this because his Peter is the kind of adaptation you'd only make if you knew stuff like -this.-

    Screencap from a Marvel Masterworks reprint of Amazing Fantasy #15, art by Steve Ditko. Lee and Ditko establish Peter Parker's life, from loving aunt and uncle to exemplary academics, then cutting to him asking Sally Avrill out and being rejected. It ends with him walking into the science exhibit where he'll get his powers, honest to god saying, "Some day I'll show them! *sob* Some day they'll be sorry! Sorry that they laughed at me!"
    Screencap from the same volume, the first actual Amazing Spidey issue. In the wake of Uncle Ben's death Peter imagines becoming a crook--"No one could stop me!"--but stops, not just because he knows better but because he considers the possibility of somehow being caught and what it'd do to May. It's a moment of mutual decency -and- selfishness, the type that defines the early version of the character.
    Screen cap from the end of the Chameleon story from issue one, Peter's first big attempt to try and turn his situation around, and it ends with him running down an alley thinking, "Nothing works out right...*sob*...I wish I had never gotten my super powers!"
    Panel from the first Electro issue, Peter is forced to turn back and go home when it starts to rain, then dry his soaking wet costume. Halfway through hanging it up he realises he needs to pull his shades closed to preserve his secret.
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  • Jul 3, 2026, 9:09 AM

    @ami_angelwings What's most interesting about the Spectacular version is that Weisman and Cook were contractility obligate to make a Venom storyline for the accompanying toyline and so had to omit Peter's New York temper in order for his symbiote mode to stand out, so Weisman instead focuses on what tends to get hastily left out in most other adaptations, Peter's entitlement complex.

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  • Jul 3, 2026, 9:12 AM

    @ami_angelwings John Semper's Fox Kids Peter Parker is a wish fulfilment fantasy, the idea that you're buff and handsome but everyone should feel sorry for you. Greg Weisman's isn't just an adaptation of the original material, it's the truth of it: his Peter Parker is as wounded as we are and as selfish as we are, and thus as capable of grace as we are. He just needs a few more, smaller, more painful life lessons first, not just The Big One.

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