So, first, from the vore point of view. It’s just as the trailers promised us. It’s awesome. Never mind that the director’s intentions are to make the spectator feel tense and wrapped by claustrophobia, with its dark and blue photography, reminescent of the depths of the ocean: watching the whale’s digestive tract has made me wish even more to be preyed upon. It’s dark, except for some bioluminescent stuff put there only because spectators wouldn’t certainly want to watch a black screen. It’s tight, and several times the stomach muscles close on the protagonist and put heavy physical pressure on him. Its air is dank and toxic, as we see from a short moment in which he tries to take off the oxygen tank. It’s not as noisy as stomachs are in internet vore videos though, and it’s fine for me. In certain scenes, it makes the stomach feel actually like a soothing, relaxing place, especially those moments when the protagonist seems to be close to surrendering. There is a scene where he even caresses the stomach walls, almost affectionately. Also, there is more food inside the stomach: a highlight is him fighting against a giant squid inside the stomach, which gets digested later.
A majority of the movie happens inside the whale’s first stomach, except for some flashback which I’ll cover in the second part of this article. There is a second one too, where actual digestion happens. The protagonist gets pushed there at one point in the first part, and unlike the first one, it’s vivid red, and it has gastric juices. Acid gastric juices. It does not get into gore cause the movie still wants to be viewable by teenagers too; but we see his hand getting acid wounds. Later though, he manages to get back to the first chamber, so no digestion at all happens.
(Continues)