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  • Zentrum für Netzkunstnetzkunst@tldr.nettime.org
    Oct 17, 2026, 1:03 PM

    ROTBOTS – exhibition / FINAL DAY!
    /rosa, Heidelberger Str. 28, 12059 Berlin
    distant.gallery/rotbots-exhibi
    · open 3–7 PM

    ROTBOTS is initiated by Constant Dullaart in collaboration with Fabian Hampel, the Networked Materiality @vernetztematerialitaet class at AdBK Nürnberg, and the Emergent Digital Media class at AdBK München. A project by distant.gallery, Zentrum für Netzkunst, and AdBK Nürnberg. Funded by the Stiftung Kunstfonds and Stimuleringsfonds Creatieve Industrie.

    A gallery interior with white walls, wooden flooring, and large windows overlooking trees and a parked white van. A stylized blonde female figure with exaggerated proportions stands with her back to the viewer, wearing a shiny pink mini dress, high platform heels, and a small pink shoulder bag. Two large vertical digital displays mounted on metal poles flank her. The left screen shows a close-up of food with the word “PROVING.” in white text, while the right screen shows a blue-toned image with the word “INFINITE.” in white text.
    A black-clad character sculpture with a large pink, cartoon-like head sits hunched forward on a small wooden cube in a white-walled gallery. The head features a white social media symbol and large cartoon eyes. The figure wears a black hooded outfit, layered silver chains, black trousers, and chunky black boots, looking down at its hands. A vertical screen on the left displays a portrait of a person wearing a colorful striped sweater, denim shorts, white socks, and blue shoes. A second framed screen leans against the wall on the right, showing a pale pink and white abstract image. A small computer monitor is visible in an arched alcove behind the seated figure.
    A banana-headed character sculpture stands in the foreground of a white-walled gallery, wearing black sunglasses, a yellow cropped T-shirt with a red star and lettering, loose black trousers, and chunky black boots. The figure poses with one hand on its chin and the other arm folded across its body. A vertical screen on the left displays a seated portrait of the same character in a yellow shirt and blue trousers. Another screen on the right shows a colorful portrait of a blonde female character with exaggerated features. In the background, a visitor sits on a wooden cube and operates a computer in a shallow arched alcove. The room has exposed white brickwork, wooden flooring, and a rough, dark stone-like feature along the base of the left wall.
    A group of six stylized character sculptures stands in a bright gallery with white brick walls, large windows, and wooden flooring. From left to right, the figures include a muscular character wearing a yellow banana-shaped mask, black sunglasses, a yellow cropped T-shirt, and black trousers; a small anthropomorphic pear with a sad expression and a green dress; a blonde, exaggeratedly proportioned female figure in a shiny pink mini dress and platform heels; a character with a strawberry-shaped head, glasses, a striped sweater, denim shorts, white socks, and blue sneakers; a translucent blue ice-monster figure with sharp teeth; and a black-clad figure with a large pink, cartoon-like head displaying a white social media symbol. Two framed digital screens stand against the wall behind them.
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